Thursday, October 10, 2019

V UPDATE-1




VANDERBILT POETRY REVIEW, poem, The Gravity of Whether, Vol.III, Nos.1&2, 1978, p.47print.  Collected in my book Not on any Map, from Kelsay Books, 2017.  LINK: 

VANILLA LITERARY AND ART JOURNAL, 3 photos, WA 14 Bellingham Waterfront, WA 205 Lynden Cornstalks, and WA 20 Keystone Ferry Dock, Issue 3 Spring/Summer 2010, online npp.  Defunct; photos printed here:




VANILLA LITERARY AND ART JOURNAL, 2 photos, WA 161-1 SR 20 History Best Forgotten and WA 91 SR 20 Too Long Out of Water, Issue 6, Winter 2011 online npp.  Defunct: re-printed here:



Vaughn Street Doubles, 2 photos, WA 36-1 Sequim and WA 38-2 nr Sumas, accepted 3/16/20;


Vayava, 1 poem, Overland to Leaf, Bird, Posted 8/19/18 online np; http://www.vayavya.in/; collected in Voices beneath the Winds.

Visions with Voices, 3 poem, Prothalamion: Love's Comet; Reading at Park Place Books; St. Croix, a Time Ago, Posted 7/1/18 online np and with some confusion in names; http://visionswithvoices.com/keith/index.html; Prothalamion is collected in New and Selected Poems: Bones Molder, Words Hold, coming from Duck Lake Books.  Reading and St. Croix have not yet been collected.

VENDING MACHINE PRESS, poem, Voices in the Belfry, Issue 12, November 2015, online np.  LINK: https://vendingmachinepress.com/2015/11/01/voices-in-the-belfry-by-keith-moul/ Reprinted in Phenomenal Literature, Vol.2, Nol1, Jan-March 2016, p.40.  LINK: http://phenomenalliterature.com/sircl/ecopies/1457797039.pdf.  Collected in New and Selected Poems: Bones Molder, Words Hold, coming from Duck Lake Books.

VERBAL ART, 3 poems, Big Leaves, Enticing Blind Minds, Prairie Winter, accepted 8/1/20; Vol 1; Issue 1, April-June 2020, pp21-23, posted 9/21/20; http://verbalart.in/sircl/ecopies/1600531558.pdf

VERDAD MAGAZINE, 6 photos, CA 179-1 Golden Gate Bridge; OR 291 Bend Deschutes River; UT 395-1 Zion National Park; WA 117 SR 20 Whatcom County School Bus; WA Home Garden; WA PICT72 Olympic National Park, Vol.10, Spring 2011, online np.  LINK: http://verdadmagazine.org/vol10/gallery/moul.html

VIRAL CAT PRESS, poem and 2 photos, Trust in the Forecast; WA 318 Larrabee State Park; and OR 272-1 Crater Lake National Park, Spring 2012, online np.  Defunct: photo reprinted here:


Trust in the Forecast has been revised and collected in New and Selected Poems: Bones Molder, Words Hold, coming from Duck Lake Books.

VIRAL CAT PRESS, poem, Emperor and Ancestors, Fall 2013 online np.  Defunct.  Collected in my chap The Journal, coming from Duck Lake Books.

Visions with Voices Anniversary Collection, words and voice, including reprints of Prothalamion: Love's Comet; Dreaming Woods; The Backside of Flowing Hills; Father of the Bride posted 1/4/19, online np.
http://visionswithvoices.com/keith/#prothalamiontext

VISIONS WITH VOICES,  poems, Reading History; Moul Fall Collection, 2015, online npp.  LINK: http://visionswithvoices.com/moulfall2015/index.html  Reading History is retitled Reading German History is collected in my unpublished book New and Selected Poems: Bones Molder, Words Hold, to be published by Duck Lake Books in 2020.  

VISIONS WITH VOICES, 4 poems and audios, A Child's Game; A Classic Chevy; Collections; Doubloon, Moul Winter Collection Vol.7, No.1, Winter 2016, online npp.  LINK: http://visionswithvoices.com/vol7.html.  Collections collected in my chap Investment in Idolatry from Finishing Line Press 2017.  LINK below.  A Child's game collected in my book Not on any Map from Kelsay Books 2017.  LINK below. A Classic Chevy is collected in New and Selected Poems: Bones Molder, Words Hold, coming from Duck Lake Books.  Doubloon has been revised and collected in my manuscript being collected Shore.

VOICES INTERNATIONAL, poem, Refrain (for Sylvia), Vol.9, No.4, Winter 1974, p.20, print.  Defunct.  Uncollected poem, reprinted below.



Refrain
(for Sylvia)

Christmas bleeds down the block
at the Valu Mart while I lag
behind in my shopping, a habit
established in nineteen-fifty-five.

There have been times true gifts
waited on the tip of my tongue,
like proper explanations, so near
to the hearing I refrained from talk.

These approximations,
each reducible to instants,
single memories, single places,
rise, the only responsible gifts

that I can give. And now,
as Christmas sprawls in sparkling pain,
such a moment struggles to depart
with remnant words holy on my tongue.

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